
- Project: Shinto Apartment Building
- Architect: KKMK Architects
- Location: Greece, Glyfada, Athens
- Year: 2025
- Photography: Panagiotis Voumvakis
The Shinto apartment building in Glyfada, designed by KKMK Architects, reimagines the classic Athenian polykatoikia for contemporary life. Located at the junction of Oinois and Eleftherias Streets, it blends double-height interiors, gardened ground floor zones, panoramic skyline views, and a material language that speaks both craft and refinement.
Philosophy & Conceptual Foundation
“Shinto” isn’t just a name—it’s a worldview shaping the building’s architecture. Borrowing from Japanese tradition, the design honors natural forces: light, season, material, and threshold. Rather than imposing overt symbolism, it creates spatial rhythm and “invisible” connections—between inside and out, between volumes and voids.
Spatial Layout & Experience
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Corner Plot & Linear Volume: The building uses its corner site as an opportunity, transformi
Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis Photography © Panagiotis Voumvakis ng what could have been a rigid mass into a volume that unfolds with internal rhythm. Each floor responds to views, orientation, and elevation in subtle, calibrated ways.
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Ground Floor & Gardened Thresholds: On the street front, a planted forecourt softens the transition from public to private. The ground-floor residence features a double-height interior space, drawing in sky and light, reinforcing that sense of openness.
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Intermediate Apartments: Upper floors comprise apartments with generous balconies and semi-outdoor filters, forming intermediate zones between private interior rooms and the exterior. Structures like prismatic panels, slanted pergolas, and angled forms serve both aesthetic and functional purposes—framing views, controlling light, ensuring privacy, and sculpting shadow.
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Top Floors & Vertical Progression: The top two levels are differentiated—one “attic” volume, plus the main slab. As one ascends, views gradually expand; the building becomes lighter, less constrained, more skyward in feeling.
Materiality & Façade Rhythm
The façade is not mere ornament—it is the instrument through which the architecture expresses rhythm and tension. Materials like marble, aluminum, glass, and exposed concrete (in pergolas and angular prisms) are arranged to give a unified visual cadence. Mechanical and structural elements (filtered surfaces, bay windows, metal structures) are integrated in ways that maintain consistency in rhythm.
Elements reminiscent of torii, the Shinto gates, appear: transitional gates, thresholds, gradations from solid to void, privacy to openness. These are not literal, but metaphorical in their function—creating passages, framing moments, encouraging movement.
Environmental & Urban-Context Sensitivity
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The landscaping at ground level improves microclimate (planted areas, forecourt).
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The design considers orientation, privacy, natural light, views—particularly relevant in Glyfada’s southern suburbs where environmental factors (sun, wind, view) are significant.
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Structural elements like pergolas and façade filters help mitigate direct sun exposure while maintaining airy openness.
Overall Impact & Urban Dialectic
Shinto does more than house people: it proposes a way of living. Its architecture is an unfolding sequence of atmospheres—thresholds, transitions, gradations. It transforms the traditional multi-unit block into something more intimate, more porous, more sculpturally alive. It raises questions: how dense can a building be while still allowing light, air, privacy? How heavy can material presence be while still feeling open?