Beijing Zhima Health Daxing Digital Factory Visitor Hall / WUUX Architecture Design Studio / China

  • Project: Beijing Zhima Health Daxing Digital Factory Visitor Hall
  • Architect: WUUX Architecture Design Studio
  • Location: China, Beijing
  • Year: 2023
  • Area: 1200 m2
  • Photography: Zheng Yan

Beijing Zhima Health Daxing Digital Factory Visitor Hall by WUUX Architecture Design Studio is the public portal to a vast C2M smart manufacturing complex in Daxing. More than an entrance or showroom, it stages an immersive narrative of health, technology, and brand legacy through layered materials, shifting light, and spatial drama—bridging factory and exhibition, tradition and innovation.

Exterior view of the Beijing Zhima Health Daxing Visitor Hall acting as a luminous gateway.
Photography © Zheng Yan

Concept & Spatial Strategy

WUUX conceives the building as a linear passage through time and function. The entrance becomes a ceremonious gateway of time and space, where stainless-steel columns, mirrored planes, and patterned tiles cue continuity and transformation. From this threshold, visitors move through curved corridors, multi-layered galleries, and immersive exhibit volumes that unfold in themed chapters—history, production, future—each defined by material shifts, light modulation, and interactive media.

Stainless steel columns and mirrored planes marking the threshold into the visitor hall.
Photography © Zheng Yan

Dynamic folding planes, mirrored ceilings, and programmable lighting blur architectural edges, merging space and exhibition while drawing visitors deeper into the story of brand, health, and digital transformation.

Curving corridor lined with reflective materials guiding visitors through thematic zones.
Photography © Zheng Yan

Materiality, Light & Architectural Expression

The palette is futuristic yet grounded, choreographing reflection, transparency, and tactility:

  • Mirror stainless steel, black mirrors, and apple-silver sandblasted steel react to movement and light, amplifying depth.
  • Artistic ceramic tiles, stainless blocks, and glass partitions mark turning points in the narrative.
  • Electric-atomized glass toggles opaque↔translucent for timed reveals and concealments.
  • Stone, mirror, and high-gloss surfaces temper the industrial with tactile repose.

Light is the principal medium: high volumes, controlled luminance zones, and responsive façades set up shifting shadows and reflections that continually reframe perception.

Mirrored ceiling and dynamic lighting dissolving scale within an exhibition hall.
Photography © Zheng Yan

Visitor Journey & Experience

Arrival is oriented by stainless-steel columns rising like monuments, signaling brand heritage and forward motion. The route then alternates compression and release: walls fold and reflect, pods hover in mirrored halls, and interfaces are embedded within oblique planes. A circular immersive hall operates as a 360° “health universe,” fusing film, data, and artifacts into a single spatial canvas. Transparent partitions and suspended acrylic vitrines produce a weightless, digital-physical continuum.

Entry foyer with mirrored walls and stainless elements establishing a ceremonial tone.
Photography © Zheng Yan

At inflection points—corners, thresholds, reveal walls—the architecture switches scale, material, or light to reset attention and sustain a cadence of anticipation and discovery.

Floating exhibit pods reflected in glossy surfaces within a dimmed gallery.
Photography © Zheng Yan
Long mirrored gallery with integrated displays and directional lighting cues.
Photography © Zheng Yan

Architecture as Interface Between Brand & Space

The hall mediates between production and public experience, embodying Tong Ren Tang / Zhima Health’s ethos: reverence for tradition, embrace of innovation, and the fusion of health × design × technology. Through mirrored transitions, material deconstruction/reassembly, and layered media, the architecture plays a spatial metaphor in which past dissolves into present to reveal a shared future.

Stainless columns forming a colonnade that frames processional movement.
Photography © Zheng Yan

Material and light act as UI/UX at the architectural scale—orienting flow, focusing attention, and encoding message with place.

Reflective corridor expanding perceived depth and continuity of space.
Photography © Zheng Yan
Circular multimedia hall delivering 360-degree brand and production narrative.
Photography © Zheng Yan

Electrochromic glass orchestrates controlled reveals—from intimate artifact viewing to wide, process-scale tableaux—syncing transparency with storyline.

Electric-atomized glass shifting from opaque to translucent between zones.
Photography © Zheng Yan

Black mirrored enclosure intensifying reflections of light and visitors.
Photography © Zheng Yan

Where galleries tighten, reflective ceilings dissolve height; where they open, stone and high-gloss planes recalibrate scale and touch.

Mirrored ceiling multiplying exhibits and movement for an expanded field of view.
Photography © Zheng Yan

Meeting of stone, mirror, and stainless details highlighting craft and precision.
Photography © Zheng Yan

Suspended acrylic showcases and angled partitions produce a sense of levitation, syncing physical artifacts with data-rich graphics.

Acrylic display boxes suspended in a mirrored environment for weightless effect.
Photography © Zheng Yan

Long axis vista with reflections extending the perceived procession through space.
Photography © Zheng Yan

As the route culminates, reflective thresholds compress into a final reveal: an outlook back to production, aligning brand story with operational reality.

Pivoting reveal wall transitioning from exhibit to view of production.
Photography © Zheng Yan

Details—tile matrices, steel junctions, glass reveals—encode the brand’s design rigor at the scale of the hand, ensuring message legibility from macro to micro.

Detail of tiled and steel surfaces creating a tactile, patterned field.
Photography © Zheng Yan
Angled partitions integrating interactive displays within reflective envelopes.
Photography © Zheng Yan

Throughout, the architecture functions as interface: orienting, informing, and delighting while maintaining a clear link to the digital factory it represents.

Directional lighting guiding visitors along a linear narrative spine.
Photography © Zheng Yan

High-gloss, mirrored gallery presenting forward-looking technologies and concepts.
Photography © Zheng Yan
Exhibit wall layering archival material and media into a brand timeline.
Photography © Zheng Yan
Stone and mirror threshold offering a tactile pause between major exhibit chapters.
Photography © Zheng Yan

Conclusion: From Factory to Forum

The Visitor Hall operates as a mediator between production and public—a space where health, craft, and computation converge. Through mirrored transitions, atomized glass, and choreographed light, WUUX composes an architectural UI: the past dissolves into the present, revealing a shared future in wellness, platform, and human connection.

Closing view aligning exhibition narrative with the working digital factory beyond.
Photography © Zheng Yan

Posted by WUUX Architecture Design Studio

WUUX (Wuxiang Space Architecture Design Studio) is a Beijing design practice established in 2015 by Wang Yong. The studio delivers integrated services including environmental art, architecture, interior design, lighting, and soft-decoration, with a focus on retail, hospitality, corporate, and branded spaces. WUUX emphasizes the sensorial dimension of space—its temperature, narrative, and experiential logic. Their design process begins with exploring regional culture, customer demographics, and business strategy to develop conceptually consistent spatial identities. With notable works like the Zhima Health Store and digital factory environments, the studio demonstrates versatility in translating brand, space, and atmosphere into cohesive built form.